第一次世界大战后的1919年除夕，我（无名氏）独在华山顶修养。白雪铺天盖地，远处一人穿着破旧大衣爬上山来。我对他（林诗戈）产生好奇，他蓬头垢面，行动诡异。半夜他一人在山顶狂喊：“奥蕾丽亚！”好像要自杀。我去阻止他，他告诉了我他的故事。

第一次世界大战后的1919年除夕，我（无名氏）独在华山顶修养。白雪铺天盖地，远处一人穿着破旧大衣爬上山来。我对他（林诗戈）产生好奇，他蓬头垢面，行动诡异。半夜他一人在山顶狂喊：“奥蕾丽亚！”好像要自杀。我去阻止他，他告诉了我他的故事。

黎薇〈宋冈陵〉是全南京最聪明最美丽的女人，也是学校的风云人物，所有的男女同学都非常仰慕她。一天，在金陵女子大学的毕业欢乐会里，担任主持人的黎薇误将小提琴家罗圣提〈尔冬升〉当成仆人，对他很不客气。节目时间将近了，但是圣提见黎薇忐忑不安，故意不表明身分，想挫挫她的锐气。节目开始了，圣提不疾不徐的上台表演，黎薇感到气愤，却又欣赏他的才华。圣提不只是个小提琴家，他也是个检验科医师。 　　之后，黎薇向圣提学习小提琴。有天黎家举行舞会，黎父及黎母位感激圣提教导黎薇小提琴，则邀请他来。舞会开始了，黎薇拒绝所有的邀舞者，只愿与圣提共舞，圣提提醒黎薇也要照顾其他的客人，黎薇跟圣提说：我的客人只有你一个人。舞会结束后，圣提要离开前，黎薇给了他一本日记，里面写著黎薇对他的深情。圣提看了之后一直无法抑制自己的情绪，黎薇终於与他热恋，无奈罗圣提早有家室。他认为不可因为他，而误了黎薇的一生，将她托付了一位相信可以照顾终生的朋友宋时杰〈崔浩然〉。黎薇恋恋不舍，甚至在手臂刻上圣提的名字『RST』，却不改要嫁作人妇的事实。惟那人婚后露出真面目，家世显赫是假的，温柔体贴也是假的，对黎薇百般苛待，后来更乾脆离婚另娶。当圣提找到黎薇的时候，她的身心早已被掏空。无论她是真忘记还是假失忆，也是不能逆转的悲剧。

黎薇由于号称“全南京最美丽，最聪明的女人”，提亲者不在少数。然而黎薇一心向圣提，别者一概回绝，圣提却迟迟没有动静。原来他在老家巳有妻儿，无法与黎薇结婚。有留法学生君豪来向黎薇提亲，圣提以牺牲成全的心态要求黎薇答应，黎薇心碎允诺。战事随起，方君豪及儿子均被炸死。罗圣提在战后辗转听到黎薇在西康一山上小学教书，他赶上山以赎罪的心情找到黎薇，花白头发的黎薇巳完全不认识圣提。

黎薇〈宋冈陵〉是全南京最聪明最美丽的女人，也是学校的风云人物，所有的男女同学都非常仰慕她。一天，在金陵女子大学的毕业欢乐会里，担任主持人的黎薇误将小提琴家罗圣提〈尔冬升〉当成仆人，对他很不客气。节目时间将近了，但是圣提见黎薇忐忑不安，故意不表明身分，想挫挫她的锐气。节目开始了，圣提不疾不徐的上台表演，黎薇感到气愤，却又欣赏他的才华。圣提不只是个小提琴家，他也是个检验科医师。 　　之后，黎薇向圣提学习小提琴。有天黎家举行舞会，黎父及黎母位感激圣提教导黎薇小提琴，则邀请他来。舞会开始了，黎薇拒绝所有的邀舞者，只愿与圣提共舞，圣提提醒黎薇也要照顾其他的客人，黎薇跟圣提说：我的客人只有你一个人。舞会结束后，圣提要离开前，黎薇给了他一本日记，里面写著黎薇对他的深情。圣提看了之后一直无法抑制自己的情绪，黎薇终於与他热恋，无奈罗圣提早有家室。他认为不可因为他，而误了黎薇的一生，将她托付了一位相信可以照顾终生的朋友宋时杰〈崔浩然〉。黎薇恋恋不舍，甚至在手臂刻上圣提的名字『RST』，却不改要嫁作人妇的事实。惟那人婚后露出真面目，家世显赫是假的，温柔体贴也是假的，对黎薇百般苛待，后来更乾脆离婚另娶。当圣提找到黎薇的时候，她的身心早已被掏空。无论她是真忘记还是假失忆，也是不能逆转的悲剧。

本片讲述了一个古怪的比利时发明家到加拿大的魁北克去寻找他家人的故事。

Lost and Found is a film project for which six young filmmakers from Central and Eastern Europe have each developed a short film on the theme of generation. Together, these six short films make a whole cinema evening. Unique thereby is the selection of young directors, who are currently among the most talented in the Central and Eastern European region. Also special is that five of the short films (four short narrative films and one short documentary) are visually framed by an independent animation story. The filmmakers made their films with local producers in their home countries; postproduction was carried out in Germany. The theme generation is the thread running through the whole film. It mirrors a new selfunderstanding of young filmmakers in Central and Eastern Europe. Traditions and national history are viewed in a new way and cinematically narrated. The concept of generation was not intended to neutralize the differences between the countries, but to create a fascinating frame for comparison. The stories were written in accordance with this thematic guideline especially for this project. Partner countries in Central and Eastern Europe were selected that have their own film culture, but in which available production structures are meager, due to economic and/or political developments. 　　"Lost and Found" was initiated by relations, an initiative project of the Kulturstiftung des Bundes (German Federal Cultural Foundation), which develops and fosters art and culture projects in various countries in Eastern Europe and Germany. 　　Short films are often more difficult to script and direct than full-length features. Not only must the message be as poignant as in a mainstream movie, but it must also be conveyed succinctly in a tight period of time. 　　Lost And Found showcases five new shorts from Eastern Europe, each as entertaining, fresh and inspiring as the one before. There is also a sixth, Gene + Ratio, which runs intermittently between the others, that can be viewed as its own piece, or as a link between the featured shorts. 　　Gene + Ratio deals with the need for water, or a thirst of some sort. Alternately featuring insects, possibly fleas, and a filthy looking feline, it serves well merging the other shorts into one piece. On its own, it is rather disturbing and baffling, in particular the clip where a tiny man is licking the camera lens, which turns into a cat lapping up a saucer of milk. It is almost enough to make you feel violated. There is also a bath sequence, involving the cat and its mistress... let's just say it makes Paris Hilton's nude photo shoot with her dog covering her unmentionables look like a Jane Austen book cover. The film is strange enough to be compelling, yet is in danger of being ignored as the audience take this opportunity to recover from the previous short and prepare themselves for the next. 　　The Ritual is a lovely depiction on the theme of generation, marriage and children. Goeshe is Bulgarian, but marrying a French girl. His parents are preparing for the wedding party and are determined to give him the best reception he could wish for. Sounds of the younger world are transposed into the older, making for a beautiful film which shows that both old and new can live in harmony. What is a pleasant surprise is that the younger couple strives to make the in-laws happy in as much as the parents attempt to give their son the best, which is a delightful change from Hollywood blockbusters, where there is either a monster-in-law, or an upstart sibling who doesn't care what parents think. This is the only short, I believe, to use two languages. It is a pleasure to watch. 　　Turkey Girl is my favourite of the collection. It manages to combine light comedy with themes of growing up and letting go - the very essence behind the idea of Lost And Found. Tatiana is a girl who must bribe her mother's doctor so that he gives his patient a second operation. It is difficult enough to know how much to offer, or hold back, how to fold the money, which pocket to keep it in. Her father also tells her to butcher her favourite pet and friend - a turkey - as an offering. For her mother's sake, Tatiana knows that she must do this, but as she tells her boyfriend (whom she is "just friends with", by the way), this is no ordinary turkey. He can tell the difference between a circle and a square. Turkey Girl will appeal to animal activists, philosophers, teenagers emerging fresh from puberty, or anyone who has ever had to make a sacrifice 　　Birthday is part documentary, part exploration of childhood innocence. It focuses on two girls on either side of the destroyed bridge at Mostar. Dunja loves strawberry ice cream and goes to a Muslim school, where she is taught that when the birds sing they chant their praises to Allah. Innes likes the colour pink and goes to a Catholic school that has no Bosnian children in it. Both girls love Jennifer Lopez. They are interviewed on similar subjects - why Mostar is divided into an east and a west (neither really understands) and the obvious point of the story is well put: these girls have birthdays a day apart and if they ever met would be indistinguishable. Since it is unlikely to happen, while they are still children, the camera poses as their Yugoslavian bridge. Presented in a light fashion, taking on the after-effects of the Bosnian war, this is a rueful examination of the way in which society inflicts its own differences within itself. 　　Shortlasting Silence is the darkest of the five. It conveys themes of loneliness, suicide and incest in a story of a man going to visit his dead mother. It is done so tastefully that all the audience should feel is a shiver at the sinister atmosphere created when the psychologist is the victim of his own making. There is an unsettling empathy for the protagonist, who knows all the advice to give and yet cannot take it himself. There is a definite potential for this to develop into a feature film, as its themes, though well portrayed, are yet to be fully explored... but perhaps that is our role as the audience. 　　Fabulous Vera begins with a shot of an incredibly bored woman on a tram. This is essentially Vera's difficulty. She's past middle-age, the man she loved left her, her daughter is emigrating to Cuba with a lover she has known barely three days and she must smile constantly at passengers on trams asking whether they would like to purchase tickets. Her boredom is juxtaposed with that of a policeman, sitting in his car, with so much time on his hands that he can afford to finish the embroidery started by his late wife. Milena Dravic performs well, particularly when Vera hijacks her own tram and puts her foot down, taking her life up a gear, and, when the brakes don't work, finding herself unable to stop, as she spirals out of control. This comedy examines the trouble with mid-life crises and the wonder of second youth. 　　These shorts are fantastic. Although my favourite is Turkey Girl, each are so appealing it is difficult to chose.

这不是一部普通的纪录片，而是透过意大利电影大师费德里克．费里尼独特的艺术家眼光为罗马古都写出来的一篇个人回忆录。全片打破传统叙事手法，以现实与超现实场面交叉穿梭进行，渗入了大量的幻觉和回忆，充分表现出费德里克．费里尼个人对罗马的爱恋，也让观众看到了这个城市隐蔽着的另一面。男星彼得．龚扎莱斯在片中饰演年轻时代的费德里克．费里尼，而费德里克．费里尼则演出他自己，在片中可以看到马戏团对费氏作品根深蒂固的影响。也可以从中揣摩出费尼电影风格的一些基本特质，喜爱他的影迷不容错过。